Here is a sneak-preview of this week’s song. It’s gonna rock. I bet you can’t wait until you hear it. Well, get going, already!
April 10, 2009
Joker: Sneak Preview
April 6, 2009
King of Spades
Wow, I’ve made it through one suit. This is the King of Spades, another african-influenced song. This I did at the space with the electric guitar and some percussion.
March 29, 2009
Queen of Spades: Darn These Walls
Here is another acoustic guitar based instrumental. I like the drone music. I added a few more ambient parts on top of the two acoustic guitar parts with electric guitar and a bunch of effects. One ambient track is a cymbal with the mic real close.
The name is derived from the “soundproof” walls that we have at the space. That premise (promise) is false. It’s hard to record an acoustic guitar in a room next to one of the louder bands around. They were covering a Pavement song for some of the time, so I have to give points to that. So, with those points, they are at negative 25. I just gotta live with it. Serendipitously, they ended a song right after I had ended mine so there was a little bow tied on the end of that noise gift.
March 22, 2009
Jack of Spades: A Man A Plan A Canal Panama
Face Card! That means I’ve made it to week eleven.
This song is another instrumental but instead of acoustic guitar, I went with electric. There are three guitar parts on here and some percussion tracks as well. This started with the original riff on the first guitar and I added a couple other parts. This may be one of the ones that could be built upon at another time to make something more out of it. But I do also like it how it is. I did this at the space on Saturday.
March 16, 2009
Ten of Spades: Subway Platform: 2:45 am
This week’s song is about riding the subway late at night. Very late at night, or maybe very early in the morning. It’s basically how I feel now, tired and overworked; but the only difference is that I’m home right now. Which is where I wanted to be in this song.
I did this one this weekend at the space. There are some differences between recording at home and at the space and they each have their advantages and disadvantages. At home, I have reason so I can do fake drums and synths and keyboards. But at the space, I have my better guitar, the ability to play it loudly, and my bass and, basically my better equipment. But the drawback is that the space is home to many bands and it’s not the most soundproofed place in the world, as you will be able to hear at the end of this song if you listen carefully. I think it gives it character. But that’s because I have to live with it.
Here’s a photo of the A Train platform at 34th Street at 2:45 am:
from flickr
March 8, 2009
Nine of Spades: Road Song in the Key of We
Nine of Spades is a road song. Road trips are awesome and I wish I was able to take more of them. I still haven’t done a cross-country drive and I really want to do it someday. There is so much to see and do basically anywhere you go. So, that’s what this is about. I did this at home with the acoustic guitar and reason drums. I finished the vocals at the space this weekend.
Now, I’m gonna get in a zip car and go to Long Island.
March 1, 2009
Eight of Spades: Contemplation of a City: Los Angeles
A couple of weeks ago I took a trip to Long Beach and Los Angeles, CA. I really love California and I used to live in Walnut Creek a long time ago, when I was youg.
There is an ongoing rivalry between LA and New York, where I live now. People in each city think theirs is better and try to convince their counterparts of those facts.
I won’t get into what I think here in this post, but you can find out by listening to this song.
February 8, 2009
Five of Spades
The Five of Spades is an instrumental track. It’s mostly an acoustic guitar piece but I’ve added a bunch more acoustic and electric guitar tracks near the end. This is getting closer to being something that I actually would like to listen to myself. If that sounds weird, I understand. I really like droning and repetitive acoustic guitar stuff. And, while I don’t have the skills that I love in John Fahey, Elizabeth Cotten and Doug Keith and nor am I playing in that fingerpicking style, I really like where this is going.
January 25, 2009
Three of Spades: Letters Home
The Three of Spades is a bit more ambitious than the previous two songs. This one kept me in the space until four in the morning. A move that I regretted for the rest of the week since it was a Monday night. I don’t think I fully recovered until the weekend. Regardless of my complaining, I think I came up with something cool, if not just unusual. I have been reading Team of Rivals, a book about A. Lincoln, and it’s influenced the lyrics of this song. It’s a bit about a man in that era that has to travel away from home to serve in government. The travel is slow and hard and he has to stay for several months away from his wife and family. The lyrics are contents of letters home to his wife.
What makes it a bit ambitious is the number of tracks on the song. Aside from all the percussion and the guitars and bass, I recorded eight vocal tracks. Five of them are in unison for the main part and the other three are all in unison for the harmony part. (There are some variances as far as unison is concerned: the “oohs” are not all in unison.) For one track of the percussion I banged on an electric fan with a drumstick; see if you can hear that.
It’s got an African sort of feel too it, particuarly the guitars. I was previously playing in a band called Intermissions where our inital goal was to make our take on African-styled music so I started trying out some African-ish sounds on guitar back then. Note to purists: I am not trying anything traditional here, I’m just doing my take on things.
I hope you enjoy it.
January 18, 2009
Two of Spades: Merry And The Swede
I was just about to finish reading a book when I wrote this song. I won’t say what book it was but I know that, for those who have read it, it will be pretty obvious. I did this at the practice space, which I’ll call “the space” from now on with electric guitar. I’m not sure if the author, or other readers, would agree fully with all the sentiments expressed here but I think it’s pretty close to the general idea.