Over the weekend I asked my girlfriend the question. Yes, the question. I wrote this song on the Monday before last weekend and had a plan for the way it was going to happen. It didn’t happen exactly like this because it was raining and I couldn’t bring her up to the roof. But it’s basically right.
She said yes.
Here is a sneak-preview of this week’s song. It’s gonna rock. I bet you can’t wait until you hear it. Well, get going, already!
Wow, I’ve made it through one suit. This is the King of Spades, another african-influenced song. This I did at the space with the electric guitar and some percussion.
Here is another acoustic guitar based instrumental. I like the drone music. I added a few more ambient parts on top of the two acoustic guitar parts with electric guitar and a bunch of effects. One ambient track is a cymbal with the mic real close.
The name is derived from the “soundproof” walls that we have at the space. That premise (promise) is false. It’s hard to record an acoustic guitar in a room next to one of the louder bands around. They were covering a Pavement song for some of the time, so I have to give points to that. So, with those points, they are at negative 25. I just gotta live with it. Serendipitously, they ended a song right after I had ended mine so there was a little bow tied on the end of that noise gift.
Face Card! That means I’ve made it to week eleven.
This song is another instrumental but instead of acoustic guitar, I went with electric. There are three guitar parts on here and some percussion tracks as well. This started with the original riff on the first guitar and I added a couple other parts. This may be one of the ones that could be built upon at another time to make something more out of it. But I do also like it how it is. I did this at the space on Saturday.
This week’s song is about riding the subway late at night. Very late at night, or maybe very early in the morning. It’s basically how I feel now, tired and overworked; but the only difference is that I’m home right now. Which is where I wanted to be in this song.
I did this one this weekend at the space. There are some differences between recording at home and at the space and they each have their advantages and disadvantages. At home, I have reason so I can do fake drums and synths and keyboards. But at the space, I have my better guitar, the ability to play it loudly, and my bass and, basically my better equipment. But the drawback is that the space is home to many bands and it’s not the most soundproofed place in the world, as you will be able to hear at the end of this song if you listen carefully. I think it gives it character. But that’s because I have to live with it.
Here’s a photo of the A Train platform at 34th Street at 2:45 am:
from flickr
Nine of Spades is a road song. Road trips are awesome and I wish I was able to take more of them. I still haven’t done a cross-country drive and I really want to do it someday. There is so much to see and do basically anywhere you go. So, that’s what this is about. I did this at home with the acoustic guitar and reason drums. I finished the vocals at the space this weekend.
Now, I’m gonna get in a zip car and go to Long Island.
A couple of weeks ago I took a trip to Long Beach and Los Angeles, CA. I really love California and I used to live in Walnut Creek a long time ago, when I was youg.
There is an ongoing rivalry between LA and New York, where I live now. People in each city think theirs is better and try to convince their counterparts of those facts.
I won’t get into what I think here in this post, but you can find out by listening to this song.
The Seven of Spades is a song I wrote to a poem by Walt Whitman. A collection called “Leaves of Grass” contains this poem. It’s a bit like what Billy Bragg and Wilco did to Woody Guthrie lyrics except that this poem was published and wasn’t intended to be lyrics (as far as I know).
I did this at home with the acoustic guitar.
“The sun rises, but shines not,” is a quote from Walt Whitman about a certain battle early in the Civil War. The Union lost this one and it set everybody in Washington in a pretty bad mood. This was Whitman’s assessment of the morning that followed the battle. Because the battle was so close to Washington, civilians, including Congressmen and their families had picnics on a bluff from which they could see the battle in action in the distance. As the Union Army retreated they panicked and the streets back to Washington were clogged with soldiers and the spectators alike.
President Lincoln told General McDowell before the battle that “You are green, it is true, but they are green also; you are all green alike.” I used part of this quote in the song as well.
This is the second song that I have used eight tracks of vocals (5 and 3). It’s definitely “something.”
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